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Edmund Lee
Film Editor
Edmund Lee is the film editor of the Post. Before joining the Culture desk in 2013, he was the arts and culture editor of Time Out Hong Kong. Since he graduated in English and Comparative Literature, Edmund has also studied law and written an MPhil thesis on Hirokazu Koreeda. He is on a masochistic mission to review every Hong Kong film being released.
Edmund Lee is the film editor of the Post. Before joining the Culture desk in 2013, he was the arts and culture editor of Time Out Hong Kong. Since he graduated in English and Comparative Literature, Edmund has also studied law and written an MPhil thesis on Hirokazu Koreeda. He is on a masochistic mission to review every Hong Kong film being released.
Areas of Expertise:
Film, arts, cultureLanguages Spoken:
English, Mandarin, Cantonese
Dilraba Dilmurat and Zhang Xiaofei lead a team of female football martial artists in Chow’s film that falls far short of its 2001 predecessor.
This award-winning comedy about an online prank that ends in a murder is a quirky story underpinned by the performances of its lead actors.
Inspired by a true story, Dog Day Evening explores the often infuriating world of customer hotlines and service cancellations.
This dramatisation of the 2010 Manila hostage crisis, in which eight Hongkongers died, fails to explore the tragedy in any depth.
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Generic, unfunny and emotionally hollow, The Furious will nevertheless delight those who simply want to watch people getting slaughtered.
Born in French Indochina in 1914, Duras was a visionary who treated the silver screen as a canvas for her haunting psychological experiments.
Terrance Lau leads this unrealistic but fun 1990s-set actioner that’s stuffed with stars including Aaron Kwok, Chow Yun-fat and Louis Koo.
From Donnie Yen’s The Prosecutor to Cold War 1994, recent Hong Kong police thrillers are navigating tightened censorship in ingenious ways.
Tony Leung Ka-fai’s fifth HKFA best actor win cements his legendary cinema status amid years of resilience, reinvention and cultural impact.
SCMP film editor Edmund Lee forecasts the best film, director, screenplay, actors and supporting actors at this weekend’s 44th HKFA.
Wang’s first-ever scene took 33 takes, but now she is a ‘box office guarantee’ in Taiwan and an increasingly familiar face internationally.
A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.
Chui Tien-you and Wong You-nam join Charlene Choi in Patrick Leung’s poignant character drama that finally arrives at cinemas after debuting in 2019.
This engaging tale of an all-female esports team delivers an underdog story with a light touch and punches well above its modest budget.
Tracy Choi’s semi-autobiographical, episodic drama gives an intimate portrait of a woman searching for her place at different stages of life.
Loud, action-packed and completely chaotic, Terry Ng’s Ultimate Revenge is packed with thrills but fails to deliver on plot.
Starring Wu Jing, Nicholas Tse and Chen Lijun, the visually stunning Blades of the Guardians is one of the fiercest wuxia films in years.
While slightly disjointed and overlong, Night King delivers a fun blend of romance and nostalgic glamour set in Hong Kong’s nightclub scene.
This witty Lunar New Year film follows a woman pretending to have won the Mark Six lottery after failing to buy the winning ticket.
Amid controversy over four titles removed from the ballot, Sons of the Neon Night and Back to the Past dominate the award nominations.
Nostalgic drama Ciao UFO scoops top prize, while Louis Koo (Behind the Shadows) and Fish Liew (Someone Like Me) pick up best actor awards.
The four films missing from the provisional list feature actors or themes unpopular with authorities in Hong Kong and mainland China, say industry insiders.
A strong cast is wasted in this undignified tale about Hong Kong immigrants struggling in Canada, which mistakes grimness for profundity.
This big-budget sci-fi fantasy may be an emotional watch for fans of the 2001 Hong Kong show A Step into the Past, even if it falls short.
It was a rough year for Hong Kong cinema – only Another World made more than HK$14 million locally – but there were still some gems released.
Pass and Goal, starring Gigi Leung and newcomer Chau Tsz-yuet, defies expectations with its feel-good story, good acting and funny dialogue.
This Hong Kong tale of greed and corruption is a watchable portrait of greed and corruption, but it is also thoroughly detached from reality.
A John Wick-inspired action thriller co-produced by Hong Kong and Japan, Road to Vendetta is a textbook case of style over substance.
This daring Hong Kong-set drama follows a woman with cerebral palsy who wishes to experience sex before having a hysterectomy.
