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Performing arts in Hong Kong
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Review | The Impossible Trial review: classic Cantonese musical is updated and improved

With a new cast and subtle changes to plot, lighting and choreography, this musical about a criminal lawyer in ancient China is a winner

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Leung Chung-hang performs in the lead role of Fong Tong-geng as part of the new cast of the Hong Kong musical The Impossible Trial, at the Xiqu Centre in Hong Kong, in August 2025. Photo: WestK
Enid Tsui

Some of the longest-running musicals in the world, such as Les Misérables, took years of refinement before they finally hit the right note, and even then they had to be tweaked to keep up with the times.

So it is no surprise that the current third Hong Kong run of The Impossible Trial – the home-grown Cantonese musical about a scoundrel of a lawyer getting his comeuppance in ancient China – is noticeably different from its 2022 premiere, and is all the better for it.

The changes to the content and the staging are subtle. Happily, the set retains the pièce de résistance: the revolving platform that ratchets up the tension during combative exchanges between characters. But minor alterations to the fast-paced dialogue, the lighting and choreography are sufficient to ensure that the story – a radical spin-off from a 19th-century folk tale – no longer feels convoluted.

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Now, the Dickensian transformation of the protagonist nicknamed Ridiculous Mirror – because of the lies he spins to win in court – glides along at a slick pace, and the intricate plot twists are more clearly explained.

Ronny Yuen performs as Ah Sai in a scene from The Impossible Trial during its third Hong Kong run. Photo: WestK
Ronny Yuen performs as Ah Sai in a scene from The Impossible Trial during its third Hong Kong run. Photo: WestK

An additional delight – and the biggest change – is the new cast. They are alternating with the first cast during the current four-week run, after making their debut during the sold-out tour in Shanghai and Beijing in June and July.

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