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Performing arts in Hong Kong
LifestyleArts

Review | In a Perfect World is a Hong Kong play with a brilliant cast and a bleak outlook

Jun Li Jun-shuo’s time-jumping play with Patra Au about Chinese people living in a crumbling America asks one very uncomfortable question

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Patra Au Ga-man in a scene from In a Perfect World. On & On Theatre Workshop’s radical play about Chinese people living in New York in different time periods gives a grim prognosis of the world. Photo: Snap_Shot_Sammy
Enid Tsui

Not long into the time-jumping, three-hour-long play, we are plunged into a not-too-distant future. It is a terrifying reality in which the worst-case scenarios – the ones we only suggest sardonically and not wholly seriously today – have come to pass.

In this universe, created by award-winning film director and scriptwriter Jun Li Jun-shuo, Germany has fallen under Russian rule by 2030, and the United States has been wrecked by civil war by 2036.

Over seven decades, we watch as three generations of Chinese people living in the same house in New York’s Chinatown are crushed, buoyed or simply swept away by the great, unforgiving wheels of history.
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Presented by Hong Kong’s foremost independent theatre company, On & On Theatre Workshop, this believable, ambitious and grim drama follows in the success of the troupe’s Flowing Warblers 2.0, an update of a 2024 work that revolves around Hongkongers living abroad.

A scene from In a Perfect World. Photo: Snap_Shot_Sammy
A scene from In a Perfect World. Photo: Snap_Shot_Sammy

In a Perfect World features 20 closely intertwined characters. Played by a cast of 10 actors, these characters encompass a broad range of sociopolitical backgrounds – from left to right – and perspectives gleaned from a diaspora stretching from Hong Kong to Taishan to New York to Berlin to Guyana.

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