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Digital versions of paintings by Leonardo da Vinci, Raffael and more a win-win situation

Limited-edition, certified digital copies of Italian masterpieces sold at a fraction of the originals’ cost are boosting museums’ cash flow

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A high-definition digital version of Leonardo Da Vinci’s Lady with Dishevelled Hair hangs at the Brera Art Gallery in Milan, Italy, on November 24, 2025. Photo: AP
Associated Press

The last person to get their hands on a painting attributed to Leonardo da Vinci shelled out more than US$450 million at auction. Now, Italian cultural officials are making it possible to purchase a limited-edition, certified digital copy of the Renaissance genius’ Lady with Dishevelled Hair’ for roughly the price of a Lamborghini.

The Italian non-profit Save the Artistic Heritage and with its technical partner Cinello are providing well-heeled collectors the possibility of owning a literal projection of original Italian masterpieces, sized and framed to match the museum experience.

Participating museums sign a certificate of authenticity, and in return receive 50 per cent of the profits.

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“We don’t want to sell a piece of technology. We want to sell a piece of artwork,’’ says John Blem, an Italy-born Danish entrepreneur who founded the initiative and who serves as chairman of Cinello and vice-president of the non-profit.

A high-definition digital version of Andrea Mantegna’s Lamentation over the Dead Christ hangs at the Brera Art Gallery in Milan, Italy. Photo: AP
A high-definition digital version of Andrea Mantegna’s Lamentation over the Dead Christ hangs at the Brera Art Gallery in Milan, Italy. Photo: AP

Sharing revenue is integral to the project, which aims to help cash-strapped museums access new income streams, and a key part of the sales pitch, Blem says.

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