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Vietnamese-American artist Dinh Q Le’s war-themed works stir painful parallels with today

A Hong Kong exhibition dedicated to the late artist Dinh Q Le highlights his commentary on US military force and the human cost of conflict

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Vietnamese-American artist Dinh Q Le is photographed at his “Tropicana Migration” exhibition at Hong Kong’s 10 Chancery Lane Gallery in 2015. A new exhibition at the gallery is a tribute to the artist, who died in 2024. Photo: 10 Chancery Lane Gallery
Ilaria Maria Sala

“Remembrance”, the title of the solo show at 10 Chancery Lane Gallery dedicated to Dinh Q Le and curated by writer David Elliott, can be read in two ways.

The most pointed one, as intended by its curator, is as a tribute to the work of this exceptional Vietnamese-American artist, who died in 2024.

But a significant thread of remembrance also runs through Le’s work in his constant reflections on the Vietnam war (1955-75) and its ongoing aftermath.

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“In Vietnam, it’s called the American war,” underlines Elliott, who has been engaging with Le’s work since 2015.

The show’s selected pieces are mostly from a series of woven photographs considered Le’s signature works.

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These are often made using famous pictures printed on a large scale, cut into strips and woven with chromatically contrasting photos, or other images he superimposes, to create layered meanings and suggest new possibilities or interpretations of what we see.

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