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Asian cinema: Japanese films
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Review | Venice 2025: Scarlet movie review – Mamoru Hosoda’s Hamlet-inspired anime is a curiosity

Fans of Japanese director Mamoru Hosoda’s earlier works are likely to appreciate this animated fable, but others may find it a bit of a trial

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Scarlet (voiced by Mana Ashida) in a still from Scarlet, directed by Mamoru Hosoda. Masaki Okada co-stars as the voice of Hijiri.
James Mottram

3/5 stars

To be(head) or not to be(head)… that is the question in Scarlet, Mamoru Hosoda’s Hamlet-inspired anime. Playing out of competition at this year’s Venice Film Festival, this is a curious, gender-flipped tale of vengeance and forgiveness, one that asks us to give peace a chance.

The story largely takes place in an “Otherworld”, a purgatory of sorts where the past and future are interwoven and Eternity is just a staircase away.

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It is here where we find the flame-haired Scarlet (voiced by Mana Ashida), who has arrived in this hellscape after being poisoned by her uncle, Claudius. Flashbacks to the late 16th century show this power-grabbing relative also framed and executed her father, the king.

“This is not the afterlife we imagined,” she muses to herself, convinced she is not even dead and fuelled by a burning desire to avenge her father’s killing.

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During her travels, she meets Hijiri (Masaki Okada), a male nurse from our present, who similarly has no conception that he has passed into this Otherworld.

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