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Asian cinema: Chinese films
LifestyleEntertainment

Why Sean Baker’s Taiwanese producer took 20 years to make her debut film Left-Handed Girl

Tsou Shih-ching’s directorial debut, a heartfelt Taiwanese drama, was born from a moment of childhood guilt when her grandfather scolded her

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Nina Ye (right) and Ma Shih-yuan in a still from Left-Handed Girl, a heartfelt Taiwanese drama from director Tsou Shih-ching.
James Marsh

When director Tsou Shih-ching was a child in Taiwan, her grandfather scolded her for using her left hand, calling it “the devil’s hand”. She vividly remembers the “sense of guilt”, a feeling of “like I did something wrong” that stayed with her for decades.

That childhood memory has now become the seed for her solo directorial debut, Left-Handed Girl, a deeply personal film that has become one of the year’s most celebrated.

It tells the story of a mother (Janel Tsai) and her two daughters working at a night market noodle stall in Taipei. The film is experienced largely from the untainted, five-year-old perspective of the younger daughter, I-Jing (played by child star Nina Ye).

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Premiering at Cannes Critics’ Week in May and now nominated for nine Golden Horse awards, including best narrative feature, the film has been a labour of love for Tsou, a long-time producer for Oscar-winning director Sean Baker, stretching back more than two decades.

Tsou and Baker first met in an editing class at The New School in New York, where she was studying a master’s in media studies.

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“We watched a lot of movies together. We really enjoyed Dogme 95,” she tells the Post, referring to the Danish filmmaking movement that rejected the elaborate use of technology and put the focus squarely on story. “I said maybe we should try and make a movie like that.”
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