-
Advertisement
Asian cinema: Chinese films
LifestyleEntertainment

Review | Berlin 2026: We Are All Strangers movie review – an epic look at fatherhood in Singapore

A beautiful conclusion to Anthony Chen’s ‘Growing Up’ trilogy, We Are All Strangers is a study of family and love in all its forms

Reading Time:2 minutes
Why you can trust SCMP
(Standing, from left) Yeo Yann Yann and Andi Lim in a still from We Are All Strangers, directed by Anthony Chen. Photo: Giraffe Pictures
James Mottram

4/5 stars

Following his lacklustre English-language debut Drift (2023) starring Cynthia Erivo, filmmaker Anthony Chen returns to Singapore for the sprawling, surprising and spot on drama, We Are All Strangers.

Playing in competition at the Berlin International Film Festival, it completes Chen’s “Growing Up” trilogy that began with his debut, Ilo Ilo (2013), which won the Caméra d’Or award at that year’s Cannes, and continued with Wet Season (2019) – a trio of films that, he has stated, reflects his evolution as a son, husband and now father.
Advertisement

Fatherhood lies at the core of the new story, as widowed noodle shop owner Boon Kiat (Andi Lim) struggles to connect with his idle 21-year-old son Junyang (Koh Jia Ler). A school dropout, Junyang justifies his laziness by joking that the world’s biggest billionaires also left education early. He even nicknames himself “Steve” (after the Apple founder) during a brief stint in real estate – a job he quickly sabotages.

If Junyang represents a generation desperate for quick riches, his father is the solid, down-to-earth counterweight – a man who has not raised his prices in 10 years. “In life, it’s better to be grounded than to have empty, lofty dreams,” he says.

Advertisement

But he is still willing, at great risk, to pay for his son’s wedding, when he falls for a girl whose snooty mother immediately disapproves: “How can you trust a boy you met at a BTS concert?” she asks.

Advertisement
Select Voice
Select Speed
1.00x