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Why Bridget Jones’s Diary feels so dated 25 years after the beloved romcom’s release

The charms of Bridget Jones’s Diary are still obvious when viewed today, but its politics seem to be from a different century altogether

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Renée Zellweger (left) and Colin Firth in a still from Bridget Jones’s Diary (2001), which turns 25 this month. Photo: Working Title Films
Matt Glasby

This is the latest instalment in our From the Vault feature series, in which we reflect on culturally significant movies celebrating notable anniversaries.

Released 25 years ago this month, the 2001 film Bridget Jones’s Diary was a huge success, earning its star, Renée Zellweger, an Oscar nomination and spawning three sequels that helped the franchise gross nearly US$900 million worldwide.

A London-set romcom about one woman’s search for a “nice, sensible man”, it cleverly repackaged certain aspects of Britishness – chiefly stiff upper lips and self-deprecating humour – for a global audience.

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Viewed today, its charms are still obvious, but its politics seem like they are from a different century altogether.

Based on the column, and later book, by Helen Fielding, Bridget Jones’s Diary was adapted by Fielding, Andrew Davies (television’s Pride and Prejudice) and Richard Curtis (Love Actually) – the latter adding a familiar sprinkling of cinematic cosiness.

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