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Paris Fashion Week: Saint Laurent unveils biker jackets and ruffled gowns, and a Virgil Abloh exhibition opens

STORYVincenzo La Torre
The breathtaking set of the Saint Laurent spring/summer 2026 show in Paris. Photo: AFP
The breathtaking set of the Saint Laurent spring/summer 2026 show in Paris. Photo: AFP
Paris Fashion Week

The dazzling Saint Laurent show was inspired by John Singer Sargent’s subjects and Robert Mapplethorpe – and Madonna was in the front row

With designer debuts at major brands such as Chanel, Dior, Balenciaga and Loewe, the spring/summer 2026 shows in Paris are going to be the most exciting in a very long time.

The highlight of day one of Paris Fashion Week, which began yesterday, was the Saint Laurent show, which as always took place at night right across from a sparkling Eiffel Tower after sunset.

The finale of the Saint Laurent show with the Eiffel Tower as a backdrop. Photo: Reuters
The finale of the Saint Laurent show with the Eiffel Tower as a backdrop. Photo: Reuters
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Like other brands in the Kering luxury group, Saint Laurent has been going through some changes recently. After former CEO Francesca Bellettini was given more responsibilities within Kering, she was replaced at Saint Laurent by ex-Balenciaga CEO Cédric Charbit late last year. Bellettini is now at Gucci.

On the creative side, however, designer Anthony Vaccarello is still in charge and still going strong after almost 10 years at the Parisian label. His high-octane shows are always the talk of the town at Paris Fashion Week.

For the set of the spring/summer 2026 show, Saint Laurent built a manicured garden of hydrangeas that spelled the brand’s iconic initials when seen from above.

The show opened with a series of biker jackets paired with white blouses. Photo: AP
The show opened with a series of biker jackets paired with white blouses. Photo: AP

The show began with a series of broad-shouldered biker jackets in leather paired with matching pencil skirts and worn with white blouses with huge bows. They were inspired by the style of photographer Robert Mapplethorpe, who was active in the 1980s – a pivotal time for Saint Laurent and a decade that Vaccarello often revisits.

Huge bows adorned white blouses. Photo: AP
Huge bows adorned white blouses. Photo: AP

After that monochrome and slightly subdued start, colour made a dramatic entrance with sleek trench coats and dresses in rich hues such as burgundy and copper, all made of sheer techno fabrics.

The final parade of ruffled gowns, also in the same technical textiles, was a homage to the female subjects of 19th century painter John Singer Sargent.

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