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Silk shimmers on: how Gucci’s The Art of Silk campaign with Julia Garner, Chanel’s investment in producer Mantero, and Hermes’ famous Twilly scarves show the ancient fabric’s lasting appeal

STORYZoe Suen
The making of Chanel silk scarves at the Mantero factory in Como, Italy. Photo: Handout
The making of Chanel silk scarves at the Mantero factory in Como, Italy. Photo: Handout
Fashion

La DoubleJ and Shanghai-based Ruohan Nie use silk in almost all their collections, while Zimmermann and Ralph Lauren also featured the fabric in recent shows

For millennia, humans have carefully harvested the delicate fibre that has given silkworms their name, and woven it into one of the most enduring luxuries besides gold itself. Indeed, in a world where fast fashion endangers any handcrafting left in the apparel industry, true silk – and what it represents – is likely to only become more valuable.

Looking through recent runway collections, silk is omnipresent in its various weaves, from chiffon, organza and satin, to pure silk. Among the stand-out examples are the ultra-bohemian olive harem pants at Zimmermann autumn 2025, the tiered sheer silk chiffon dresses at Chanel’s candy-coloured cruise 2025-26 show, the pearlescent ruff-necked maxi at Ralph Lauren autumn/winter 2025-26, and the body-skimming midi skirts, blouses and ruched dresses at Gucci cruise 2026.
La DoubleJ summer 2025 silk dress. Photo: Handout
La DoubleJ summer 2025 silk dress. Photo: Handout
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In March, Gucci launched The Art of Silk, a homage to its century-long love affair with the fabric, with a book and campaign lensed by Steven Meisel and featuring actress Julia Garner, windswept and draped in silk foulards in various patterns.

The shimmeringly smooth yet breathable natural fibre is widely believed to have originated in neolithic China, though recent evidence suggests that other Bronze Age civilisations may have also been producing silk around that time, perhaps from the silk-producing larvae of other species of moth.

The World History Encyclopedia notes that ancient archaeological records first mention sericulture (the commercial rearing of silkworms for silk) around 3600BC, with the first known examples of woven silk dating from 2700BC, in what is now Zhejiang province. In the 2,500 years between that milestone and the development of the trading routes known collectively as the Silk Road, the fibre, and the fabric it was woven into, became among the most coveted commodities in all the ancient world.

Hermès Brides de Gala en Fleurs Twilly silk scarf. Photo: Handout
Hermès Brides de Gala en Fleurs Twilly silk scarf. Photo: Handout

The Silk Road network developed after the Han dynasty opened up trade with neighbouring regions in 130BC, leading to knowledge of the fabric spreading far beyond Asia – even as China ensured its sericulture techniques were kept a secret for centuries, only making the fabric still more valuable.

Famously, in 552, the Roman Emperor Justinian sent two monks on a mission to China, who returned to Byzantium with silkworm eggs or larvae hidden in their walking sticks. The resulting monopoly of European production filled Roman coffers for centuries – until the 7th century Arab conquest of the Persians, also early developers of sericulture, brought the practice to Spain.

Later came Venetian merchant Marco Polo’s 13th century voyage to China, which promoted the growth of sericulture in Italy. Today, Como remains one of the world’s silk-making hubs, due to its prime location and climate, but also due to Duke of Milan Ludovico Sforza’s push to plant mulberry trees – on which the silkworms feed – around the lake in the late 15th century, as well as the World War II destruction of Lyon, Europe’s main source of supply for several centuries.

Hermès Festival des Amazones Bandana Folk Twilly. Photo: Handout
Hermès Festival des Amazones Bandana Folk Twilly. Photo: Handout
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