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Jewellery

Why rough, uncut gemstones are feted for their raw beauty

STORYJoshua Hendren
Uncut gems are having a moment as seen in these creations by Massimo Izzo. Photo: Handout
Uncut gems are having a moment as seen in these creations by Massimo Izzo. Photo: Handout
Jewellery

De Beers’ Talisman collection and designers Massimo Izzo, Ruth Tomlinson and SunChin are all celebrating rough stones

Jewellery design’s latest shift isn’t about bigger stones or brighter sparkle. It’s about leaving gems exactly as they were when they were prised from the ground. Unpolished, rough stones are being used in a growing number of high and fine jewellery collections. Once seen as merely the starting point of finished gems, they’re now prized for their texture, irregular shapes and raw beauty.
This resurgence is nowhere more visible than at diamond specialist De Beers. Established in 2001 as the retail arm of the De Beers Group, De Beers Jewellers – now known as De Beers London – has long been recognised for its access to some of the world’s most spectacular rough gemstones.
Massimo Izzo double finger ring. Photo: Handout
Massimo Izzo double finger ring. Photo: Handout
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This year, the British jeweller celebrates the 20th anniversary of its Talisman collection – a range that pays tribute to the “untamed beauty” of rough diamonds. Originally launched in 2005, it was the first luxury jewellery collection to pair rough and polished diamonds, challenging traditional notions of preciousness. Once prized as symbols of power and protection, rough gemstones are now being reimagined by the maison as modern, stylish totems.

Ruth Tomlinson Aquamarine Encrusted drop earrings. Photo: Handout
Ruth Tomlinson Aquamarine Encrusted drop earrings. Photo: Handout

Each piece in the range is handcrafted using a revived Renaissance technique known as serti poinçon, in which rough diamonds are embedded in hand-hammered gold, enhancing their natural texture and glow. As for the new anniversary pieces, they include a high jewellery suite combining rough yellow and round-brilliant white diamonds in chandelier earrings, a knife-edge tennis bracelet and necklace, and a trio ring, as well as a limited-edition Talisman locket designed to hide messages and mementoes in a secret compartment.

De Beers Talisman medal and small hoop earrings. Photo: Handout
De Beers Talisman medal and small hoop earrings. Photo: Handout
This reframing of rough diamonds aligns with shifting consumer values, says Sissi Xu, managing director for Greater China of the Natural Diamond Council, an industry organisation that promotes the natural diamond industry. “There is an enormous growth in the usage of rough diamonds in jewellery. After a period of brilliant- and step-cut diamonds, we are seeing a desire for the boundless variety inherent in rough diamonds.” Their natural diversity, she adds, “reflects our human uniqueness”.
Ruth Tomlinson Raw Diamond Cluster pendant. Photo: Handout
Ruth Tomlinson Raw Diamond Cluster pendant. Photo: Handout

For jewellers working independently, rough stones offer rich creative potential. Sicilian designer Massimo Izzo, who has championed uncut stones through his Cut not Cut collection, finds them more emotionally resonant than traditional cuts. “The appeal of rough stones lies in their raw, untamed beauty,” he says. “They are a direct reflection of nature’s imperfections, which I believe hold the most genuine charm.” When designing jewellery, the creative process begins not with a sketch, but with the stone itself, says Izzo. “Rough stones truly dictate the creative process, more than the other way around … it’s about embracing limitations and finding beauty in what’s imperfect.”

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