After The War | Love, hate and the post-war paradox of China-Japan relations
A popular film about the Nanking massacre marks the latest fraught chapter between countries that view each other with suspicion and affinity

Eighty years after the end of World War II, a harrowing cinematic portrayal of Japanese wartime atrocities during the 1937 Nanking massacre has reignited memories of historical trauma that resonate deeply across China.
With its emotionally charged depiction of Chinese resilience against one of history’s most horrific crimes, Dead to Rights has stormed the summer box office, grossing more than 2.7 billion yuan (US$377 million) following its July 25 release and drawing more than 76 million viewers in less than a month.
Yet this wave of cinematic remembrance comes amid another striking summer phenomenon: in July alone, more than 970,000 Chinese visitors travelled to Japan, up 25 per cent from the previous year. That makes China Japan’s top source of inbound tourists, according to Japanese government data.
This paradox underscores the love-hate dynamic that has long defined China–Japan relations, shaped by a mix of deep historical wounds, geopolitical enmity, US post-war influence, economic interdependence and cultural affinity.