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Hong Kong’s Stay Connected exhibition explores tech’s impact on art and society

From VR-driven games to sculptures exploring gender dynamics, Tai Kwun’s largest show yet examines China’s digital transformation

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Can’t Help Myself (2016) by Sun Yuan and Peng Yu. Photo: courtesy Sun Yuan, Peng Yu
Sumnima Kandangwa

Featuring more than 70 artists, Tai Kwun’s latest exhibition, “Stay Connected: Art and China Since 2008”, probes technological changes to art and society in China and around the globe over the past two decades. It’s the first time Tai Kwun has staged a show of this scale: all three floors of JC Contemporary and the F Hall Gallery have been dedicated to the exhibition, which will unfold in two parts.

Marry Me for Chinese Citizenship (2015) by Li Shuang. Photo: courtesy Li Shuang
Marry Me for Chinese Citizenship (2015) by Li Shuang. Photo: courtesy Li Shuang

Running until January 4, 2026, the first part, “Navigating the Cloud”, looks into how digital technology has reshaped society as well as how artists create, tackling the contradictions of living in an increasingly digital world where openness is undercut by government censorship. More than 50 pieces from over 35 artists and collectives are organised into eight thematic sections addressing ideas such as artificial intelligence, online communities, echo chambers and the shifts in human labour driven by digital tools.

Highlights include commissioned works such as Lu Yang’s The Material World Knight: Space Battle (2022/2025), a video game that draws viewers into surreal landscapes. Shao Chun’s Inner Beads (2025) combines suspended sculptures with floor projections to explore female pleasure and gender dynamics. Zhang Yibei’s Limpid, Golden, Calling (2025), meanwhile, conjures organic shapes seemingly growing out of the gallery floor vents.
What Is Your Favorite Primitive (2023) by Li Yi-Fan. Photo: courtesy Li Yi-Fan
What Is Your Favorite Primitive (2023) by Li Yi-Fan. Photo: courtesy Li Yi-Fan
Other notable pieces include Li Yi-fan’s 2023 video What Is Your Favorite Primitive, which explores digital avatars through absurdist scenes, reflecting on our shifting relationship with technology as we move from being active users to passive subjects under digital surveillance. Wong Ping’s 2018 animation Dear, can I give you a hand? uses dark humour to depict the challenges faced by Hong Kong’s elderly amid a housing crisis, capturing the pressures of multigenerational living in a rapidly changing economy. And many of us will have already seen Can’t Help Myself (2016), by Sun Yuan and Peng Yu. The sculpture, featuring a robotic arm desperately trying to contain a pool of red liquid, went viral on social media, with the robot performing its Sisyphean task being a stark metaphor for the uneasy intersection of labour and automation.
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The show’s second part, “Supplying the Globe”, will run from February 27 to May 31. Across both chapters, “Stay Connected” opens discussions on globalisation, environmental concerns, migration and identity politics, and also includes film screenings, curated talks and educational activities.

Tai Kwun, 10 Hollywood Road, Central; taikwun.hk
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