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Chinese language cinema

Chinese language cinema
From Andy Lau to John Woo, from Jiang Wen to Tsai Ming-liang to Sylvia Chang, and from triads to kung fu to hopping vampires to costume epics, this is the place to go for features, interviews and reviews about Chinese-language movies from Hong Kong, Taiwan and mainland China.
Chris (Kenneth Cheung, left) befriends Singh (Inderjeet Singh) in a still from Let’s Have a Cup of Doodh Patti Chai. Photo: Brian Hung
Asian cinema: Hong Kong film

How a Hong Kong indie film uses tea to bridge the city’s ethnic minority divide

Brian Hung’s Let’s Have a Cup of Doodh Patti Chai looks at Hong Kong’s ethnic minorities and how tea brings together people of many cultures.

Hong Kong entertainment

Hong Kong Film Awards: Ciao UFO wins top prizes as Sons of the Neon Night glows

Asian cinema: Hong Kong film

Why these 1980s Hong Kong crime movies produced by Tsui Hark are hidden gems

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American cinema

How M. Butterfly subverted Western fantasies of Chinese femininity

David Cronenberg’s 1993 movie starring John Lone as a cross-dresser who woos Jeremy Irons’ diplomat was an interesting but failed experiment.

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John Lone in a still from M. Butterfly. David Cronenberg’s Beijing-set romance featuring Lone as a spy who disguises himself as a woman to seduce Jeremy Irons’ French diplomat was an interesting experiment, even if it failed to convince audiences.
Asian cinema: Hong Kong film

Who will win at the Hong Kong Film Awards 2026? Our predictions

SCMP film editor Edmund Lee forecasts the best film, director, screenplay, actors and supporting actors at this weekend’s 44th HKFA.

Asian cinema: Chinese films

What A Foggy Tale taught Will Or and 9m88 about Taiwan’s White Terror era

Will Or and Joanne Tang (9m88) reveal how their characters in A Foggy Tale inspired and moved them in different ways.

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Asian cinema: Hong Kong film

Why these 3 Hong Kong comedies from the 1970s and 80s became local favourites

Itchy Fingers, Pom Pom and Where’s Officer Tuba? were mainstream films that shone amid the proliferation of kung fu and action comedies.

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Jacky Cheung (left) and Sammo Hung in a still from Where’s Officer Tuba?, a popular Hong Kong comedy film from 1986.
Hong Kong celebrities and icons

Profile | ‘Not pretty enough’? Joey Yung became a top Cantopop star anyway

From rejected teen singer to Cantopop legend, Joey Yung’s grit, voice and unwavering work ethic have outlasted her critics.

Asian cinema: Chinese films

Review | Pegasus 3: Shen Teng roars back in Han Han’s blockbuster racing sequel

Shen Teng stars as a former rally champion who has fallen on hard times in Pegasus 3, which really takes off in its exhilarating third act.

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Asian cinema: Chinese films

How Gingle Wang went from clueless novice to one of Taiwan’s top young actresses

Wang’s first-ever scene took 33 takes, but now she is a ‘box office guarantee’ in Taiwan and an increasingly familiar face internationally.

Taiwanese actress Gingle Wang at an interview with the SCMP in Tsim Sha Tsui on April 2, 2026. Photo: SCMP / Karma Lo
Asian cinema: Hong Kong film

What happened when Ann Hui adapted Eileen Chang’s classic stories?

Director Ann Hui has adapted three of Eileen Chang’s stories for the big screen. We look at two: Love in a Fallen City and Eighteen Springs.

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Chow Yun-fat (left) and Cora Miao in a still from Love in a Fallen City (1984), directed by Ann Hui.
Hong Kong society

Student in contentious Hong Kong documentary hits out at Italian screening plan

Ah Ling, who featured in award-winning To My Nineteen-Year-Old Self, says no one consulted her about screening at film festival.

Hong Kong economy

Hong Kong IP festival Con-Con draws crowds on opening day

Visitors to two-day Con-Con Hong Kong 2026 stock up on exclusive merchandise at booths and take pictures of the latest figurines.

Hong Kong society

Hong Kong documentary pulled from cinemas 3 years ago to be screened in Italy

To My Nineteen-year-old Self will be shown at Far East Film Festival after withdrawal in 2023 over lack of consent from interviewees.

A still from Mabel Cheung’s documentary To My Nineteen-year-old Self. Photo: Golden Scene
Asian cinema: Chinese films

Why fierce mothers and violent monsters star in Joe Hsieh’s animations

Taiwanese director Hsieh reflects on the strength of women, preferring hand-drawn animation over AI, and using violence in film.

A still from Night Bus (2019).
Asian cinema: Hong Kong film

Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.

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Asian cinema: Hong Kong film

3 Anthony Wong films from the early 90s that show his wide acting range

Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

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Hong Kong celebrities and icons

Profile | How Leslie Cheung broke all the rules to become a Hong Kong superstar

The music and cinema legend’s artistry, vulnerability and defiance in a conservative Asian society forever reshaped Hong Kong pop culture.

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Hong Kong pop icon Leslie Cheung on the set of director Wong Kar-wai’s Days of Being Wild in 1990. Cheung was a trailblazing Cantopop icon who reshaped Hong Kong’s entertainment scene. Photo: SCMP
Asian cinema: Hong Kong film

How director Benny Chan bridged old-school stunts and modern action

2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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American cinema

How the eye-catchingly sexist DOA: Dead or Alive survived chaotic China shoot

Filmed at Hengdian World Studios, DOA: Dead or Alive helped pioneer East-West cinema collaboration – even if it bombed at the box office.

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On Our Radar

Hong Kong International Film Festival brings out the big guns for its 50th year

The city’s flagship cinema event marks its Golden Jubilee with a global slate, major auteurs and a spotlight on Asian storytelling.

Yeo Yann Yann and Andi Lim in a still from We Are All Strangers, directed by Anthony Chen. Photo: courtesy Giraffe Pictures.
Asian cinema: Hong Kong film

Review | Ciao UFO: Charlene Choi leads nostalgic trip through Hong Kong history

Chui Tien-you and Wong You-nam join Charlene Choi in Patrick Leung’s poignant character drama that finally arrives at cinemas after debuting in 2019.

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Charlene Choi in a still from Ciao UFO (Category: IIA, Cantonese), directed by Patrick Leung and co-starring Chui Tien-you and Wong You-nam.
Asian cinema

Best movies to watch at the Hong Kong International Film Festival 2026

Silent Friend, Sirat, Good Boy and Pillion are among our top picks at this year’s festival, which is celebrating its 50th edition.

Asian cinema: Hong Kong film

How Herman Yau transitioned from gory cult films to action blockbusters

Once known for Category III shockers such as Ebola Syndrome, Herman Yau has become the go-to director for action blockbusters.

Hong Kong celebrities and icons

Profile | From TVB queen to YouTube star, how Carol ‘Dodo’ Cheng does it all

Hong Kong icon Carol ‘Dodo’ Cheng has worn many hats – actor, television host, content creator – continually reinventing herself across five decades.

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Carol “Dodo” Cheng at an interview with the SCMP in 2004. We examine the Hong Kong star’s journey from actor to content creator on YouTube. Photo: Jonathan Wong
Asian cinema: Hong Kong film

Review | Gamer Girls: Angela Yuen leads beguiling Hong Kong esports drama

This engaging tale of an all-female esports team delivers an underdog story with a light touch and punches well above its modest budget.

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Angela Yuen as online gamer Summer in a still from Gamer Girls (category IIB, Cantonese), directed by Veronica Bassetto and Sophie Yang.
Asian cinema: Hong Kong film

This Hong Kong martial arts movie pioneered the superhero team in Chinese cinema

The Five Venoms launched the iconic run of the Venom Mob, a group of actors brought together by Chang Cheh that appeared in various films.

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Asian cinema: Hong Kong film

This Hong Kong-raised director makes films about outsiders – as she’s one too

Lo’s film explores a little-known Chinese industry, exposing marital crises, gendered social pressures and truths about love, loneliness and agency.

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