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Richard James Havis

How Sharla Cheung excelled next to Stephen Chow in 1990s Hong Kong cinema

Sharla Cheung Man’s cool glamour and movie-star looks were a feature of 1990s Hong Kong cinema. Here are some of her best films.

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The two follow-ups to The One-Armed Swordsman are somewhat different to the original hit film but plenty of blood runs through all three.

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Director Ann Hui has adapted three of Eileen Chang’s stories for the big screen. We look at two: Love in a Fallen City and Eighteen Springs.

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Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

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2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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‘Father and Son’ and ‘Ah Ying’, which both won best film at the Hong Kong Film Awards, are compelling neo-realist explorations of Hong Kong.

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Flying, ‘weightless’ leaps, unrealistic injuries and long fight scenes are all part and parcel of Hong Kong martial arts movies. Here’s why.

Tsui Hark-produced alien flick Wicked City and Gordon Chan’s 2000 AD were ambitious projects that tried things new to the Hong Kong industry.

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Starring Leung Kar-yan and with a young Chow Yun-fat on the cast, 1982’s The Postman Fights Back is an intriguing mix of Western and wuxia.

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Gong switched gears after making it in Chinese art-house films, starring with Stephen Chow, Brigitte Lin and others in lesser-known movies.

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Chor Yuen’s Duel for Gold, Clans of Intrigue and Jade Tiger may be less famous than some of his other films, but are just as groundbreaking.

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Related Topics
WellnessAsian cinema: Hong Kong film