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Richard James Havis

Prolific Hong Kong director Andrew Lau looks back on his most iconic films

From the Young and Dangerous series to The Storm Riders and Infernal Affairs, Andrew Lau has captivated audiences for decades.

From his many names to dishwasher woes, Beyond Life and Death shares things about the Chinese martial artist fans may not have been aware of.

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The writer-director’s You Shoot, I Shoot (2001) and Men Suddenly in Black (2003) injected a dose of dark satire into a waning local industry.

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The two follow-ups to The One-Armed Swordsman are somewhat different to the original hit film but plenty of blood runs through all three.

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Director Ann Hui has adapted three of Eileen Chang’s stories for the big screen. We look at two: Love in a Fallen City and Eighteen Springs.

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Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

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2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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‘Father and Son’ and ‘Ah Ying’, which both won best film at the Hong Kong Film Awards, are compelling neo-realist explorations of Hong Kong.

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Flying, ‘weightless’ leaps, unrealistic injuries and long fight scenes are all part and parcel of Hong Kong martial arts movies. Here’s why.

Tsui Hark-produced alien flick Wicked City and Gordon Chan’s 2000 AD were ambitious projects that tried things new to the Hong Kong industry.

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Related Topics
WellnessAmerican cinemaAsian cinema: Hong Kong film