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Hong Kong artist Marian Ang explores motherhood and family legacies in new exhibition

‘No Man’s Land’ reflects how Marian Ang feels about motherhood, as viewed through paintings about her grandmother, family items and more

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Artist Marian Ang stands in front of “All About My Grandmother” (2025) at her “No Man’s Land” exhibition at Hart Haus, in Kennedy Town, Hong Kong. The title of her solo exhibition reflects how she feels about motherhood. Photo: Jonathan Wong
Ashlyn Chak

For Marian Ang, becoming a first-time parent and transforming fully into a “mother” were two entirely different experiences. It was the birth of her second son about a year ago that prompted the artist to truly think about what it means to be a mother, as well as the legacies passed down through the women in her family.

Motherhood really tears you apart and reshapes you. With the first child, you’re still clinging onto your old identity; with the second, you’re completely breaking apart,” says Ang, who was born in London to Singaporean-Chinese parents, and who now lives in Hong Kong.

The title of her solo exhibition, “No Man’s Land”, reflects how she feels about motherhood.

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“You are in this limbo of what society expects of you as a woman and as a mother, this very world that only other women understand.”

The artworks on display at Hart Haus – ranging from paintings and sculptures to fabric art – were completed during the past year, when Ang took part in a residency programme at the non-profit arts space in Kennedy Town, on Hong Kong Island.

Marian Ang’s latest solo exhibition, “No Man’s Land”, explores themes of female migration, memory and belonging. Photo: Hart Haus
Marian Ang’s latest solo exhibition, “No Man’s Land”, explores themes of female migration, memory and belonging. Photo: Hart Haus

Ang visited Asia for the first time when she was 18, and it was from her grandmother in Singapore – who turned 100 in 2025 – that she learned a lot about her family history.

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