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Asian cinema: Hong Kong film
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From ‘kung fu heaven’ to bloody hell, 2 of the best movies martial arts film legend Lau Kar-leung directed are a study in contrasts

  • Kung fu legend Lau Kar-leung’s Martial Club and The Eight Diagram Pole Fighter both feature Gordon Liu and Kara Wai in leading roles, but are poles apart
  • The former is optimistic, steeped in Confucian values and no blood is spilled, the latter downbeat and as gory as the films of Lau’s former boss Chang Cheh

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Gordon Liu and Kara Wai (centre) in a still from Martial Club, one of the two greatest kung fu films, along with The Eight Diagram Pole Fighter, directed by legendary martial arts movie choreographer Lau Kar-leung.
Richard James Havis
Prolific martial arts choreographer and director Lau Kar-leung made two of his greatest films towards the end of his long tenure at Shaw Brothers studio in Hong Kong.

Both Martial Club and The Eight Diagram Pole Fighter are regarded as classics of the genre, and both feature screen legends Gordon Liu Chia-hui and Kara Wai Ying-hung. But the films are very different.

Martial Club

Martial Club was badly received at the Hong Kong box office when it was released in 1981 – comedy kung fu was all the rage in the city at the time, and the venerable Lau’s tradition-minded martial arts movie was considered unfashionable.

Martial Club (1981) Shaw Brothers **Official Trailer** 武館

It wasn’t helped by the stylised combat sequences that eschewed violence and gore in favour of precise choreography which carefully depicted different forms of kung fu. Audiences felt these, too, were very old hat.

But Martial Club, which stars the perennially popular Liu as real-life Cantonese martial arts hero Wong Fei-hung, is today considered one of Lau’s masterpieces as a director.

The film is the most lucid representation of the beliefs that Lau – who could trace his martial skills back to Wong through his father, Lau Cham – held about the practice of kung fu.

SCMP Series
Classic Hong Kong cinema
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