Advertisement
Advertisement
TOPIC

Asian cinema: Chinese films

Related Topics:
Asian cinema: Chinese films
The latest news, analysis and opinion on Asian cinema: Chinese films. In-depth analysis, industry insights and expert opinion.
HIGHLIGHTS FROM
The summit of Norman Foster’s HSBC Main Building in relief against The Peak, 1986. Photo: Ian Lambot

The building that rewrote architecture – 40 years ago

The architect whose creation defied convention and the photographer who shot it share their thoughts on an inside-out marvel.

Reading Time:7 minutes
Bryn Terfel, the bass-baritone. Photo: Rolex/Elisa Haberer

A legendary opera singer on playing the ‘bad boy’ on stage

Reading Time:3 minutes
Stephen Buckle, from Aspect, a global landscape architecture company, says that the most successful way to strike a balance between commercial and design aspirations is to make ecologically minded greening the focal point of any project, including this, The Roof, a Shanghai lifestyle complex, designed in collaboration with French architect Jean Nouvel. Photo: Courtesy Aspect

From Hong Kong’s Taikoo Square to Seoul’s Gangnam forest and Chengdu’s Hyperlane, nature is reshaping Asia’s cities

Reading Time:7 minutes
Hintegro founder Keith Chan’s Sha Tin retreat. Photo: Keith Chan

An interior designer on finally designing for his own home

Reading Time:4 minutes
Zizi, a Chinese participant performing fire spinning at “Shambhala in Your Heart” festival. Photo: David Frazier

Chinese youths swap the rat race for fun and freedom at Thailand’s hippie Shambhala festival

Reading Time:9 minutes
Sally Grace Bunker in her living room in Mui Wo, Lantau Island, Hong Kong. Photo: Jocelyn Tam

This botanical artist’s journey from the ‘garden of England’ to Lantau

Reading Time:4 minutes
MORE IN POSTMAG
Content from SCMP's Specialist Publications
Louis Koo in a still from Back to the Past.
Asian cinema: Hong Kong film

Who will win at the Hong Kong Film Awards 2026? Our predictions

SCMP film editor Edmund Lee forecasts the best film, director, screenplay, actors and supporting actors at this weekend’s 44th HKFA.

Chinese language cinema

What A Foggy Tale taught Will Or and 9m88 about Taiwan’s White Terror era

videocam
Asian cinema: Hong Kong film

Why these 3 Hong Kong comedies from the 1970s and 80s became local favourites

videocam
Hong Kong celebrities and icons

Profile | ‘Not pretty enough’? Joey Yung became a top Cantopop star anyway

From rejected teen singer to Cantopop legend, Joey Yung’s grit, voice and unwavering work ethic have outlasted her critics.

Singer Joey Yung at Lee Garden Two in Causeway Bay, Hong Kong, in 2006. The singer defied early career setbacks to become a Cantopop icon. Photo: Oliver Tsang
Chinese language cinema

Review | Pegasus 3: Shen Teng roars back in Han Han’s blockbuster racing sequel

Shen Teng stars as a former rally champion who has fallen on hard times in Pegasus 3, which really takes off in its exhilarating third act.

videocam
Chinese language cinema

How Gingle Wang went from clueless novice to one of Taiwan’s top young actresses

Wang’s first-ever scene took 33 takes, but now she is a ‘box office guarantee’ in Taiwan and an increasingly familiar face internationally.

Advertisement
Advertisement
Advertisement
Asian cinema: Hong Kong film

What happened when Ann Hui adapted Eileen Chang’s classic stories?

Director Ann Hui has adapted three of Eileen Chang’s stories for the big screen. We look at two: Love in a Fallen City and Eighteen Springs.

videocam
Chow Yun-fat (left) and Cora Miao in a still from Love in a Fallen City (1984), directed by Ann Hui.
Chinese language cinema

Why fierce mothers and violent monsters star in Joe Hsieh’s animations

Taiwanese director Hsieh reflects on the strength of women, preferring hand-drawn animation over AI, and using violence in film.

Asian cinema: Hong Kong film

Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.

videocam
Asian cinema: Hong Kong film

3 Anthony Wong films from the early 90s that show his wide acting range

Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

videocam
Anthony Wong in a still from Full Contact. The Hong Kong actor’s restrained turn as a cowardly gangster brought realism to the otherwise comic book-style 1992 action film.
Hong Kong celebrities and icons

Profile | How Leslie Cheung broke all the rules to become a Hong Kong superstar

The music and cinema legend’s artistry, vulnerability and defiance in a conservative Asian society forever reshaped Hong Kong pop culture.

videocam
Hong Kong pop icon Leslie Cheung on the set of director Wong Kar-wai’s Days of Being Wild in 1990. Cheung was a trailblazing Cantopop icon who reshaped Hong Kong’s entertainment scene. Photo: SCMP
Asian cinema: Hong Kong film

How director Benny Chan bridged old-school stunts and modern action

2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

videocam
American cinema

How the eye-catchingly sexist DOA: Dead or Alive survived chaotic China shoot

Filmed at Hengdian World Studios, DOA: Dead or Alive helped pioneer East-West cinema collaboration – even if it bombed at the box office.

videocam
On Our Radar

Hong Kong International Film Festival brings out the big guns for its 50th year

The city’s flagship cinema event marks its Golden Jubilee with a global slate, major auteurs and a spotlight on Asian storytelling.

Yeo Yann Yann and Andi Lim in a still from We Are All Strangers, directed by Anthony Chen. Photo: courtesy Giraffe Pictures.
Asian cinema: Hong Kong film

Review | Ciao UFO: Charlene Choi leads nostalgic trip through Hong Kong history

Chui Tien-you and Wong You-nam join Charlene Choi in Patrick Leung’s poignant character drama that finally arrives at cinemas after debuting in 2019.

videocam
Charlene Choi in a still from Ciao UFO (Category: IIA, Cantonese), directed by Patrick Leung and co-starring Chui Tien-you and Wong You-nam.
Asian cinema

Best movies to watch at the Hong Kong International Film Festival 2026

Silent Friend, Sirat, Good Boy and Pillion are among our top picks at this year’s festival, which is celebrating its 50th edition.

Asian cinema: Hong Kong film

How Herman Yau transitioned from gory cult films to action blockbusters

Once known for Category III shockers such as Ebola Syndrome, Herman Yau has become the go-to director for action blockbusters.

Advertisement
Advertisement
Advertisement
Hong Kong celebrities and icons

Profile | From TVB queen to YouTube star, how Carol ‘Dodo’ Cheng does it all

Hong Kong icon Carol ‘Dodo’ Cheng has worn many hats – actor, television host, content creator – continually reinventing herself across five decades.

videocam
Carol “Dodo” Cheng at an interview with the SCMP in 2004. We examine the Hong Kong star’s journey from actor to content creator on YouTube. Photo: Jonathan Wong
Asian cinema: Hong Kong film

Review | Gamer Girls: Angela Yuen leads beguiling Hong Kong esports drama

This engaging tale of an all-female esports team delivers an underdog story with a light touch and punches well above its modest budget.

videocam
Asian cinema: Hong Kong film

This Hong Kong martial arts movie pioneered the superhero team in Chinese cinema

The Five Venoms launched the iconic run of the Venom Mob, a group of actors brought together by Chang Cheh that appeared in various films.

videocam
Editor's Letter

This week in PostMag: a focus on women in film, sport, science and life

For International Women’s Day, we look at women as wives and mistresses, as marine researchers, as athletes, and as battlers against perimenopause.

Elizabeth Lo, director of the Mistress Dispeller documentary, on the cover of this week’s PostMag print edition. Photo: Jocelyn Tam
Asian cinema: Hong Kong film

Review | Girlfriends: Fish Liew and Jennifer Yu reunite for tender lesbian romance

Tracy Choi’s semi-autobiographical, episodic drama gives an intimate portrait of a woman searching for her place at different stages of life.

videocam
Fish Liew (left) and Jennifer Yu in a still from Girlfriends (category: IIB, Cantonese, Mandarin). Directed by Tracy Choi and co-starring Elizabeth Tang.
Asian cinema: Hong Kong film

Review | Ultimate Revenge: Hong Kong crime thriller is all brawn and no brains

Loud, action-packed and completely chaotic, Terry Ng’s Ultimate Revenge is packed with thrills but fails to deliver on plot.

videocam
Asian cinema: Hong Kong film

Love ‘A Better Tomorrow’? The Hong Kong director and film that inspired it

Patrick Lung Kong was known for films that imparted moral lessons. We look at ‘The Story of a Discharged Prisoner’ and ‘Teddy Girls’.

videocam
Hong Kong celebrities and icons

Profile | Why Michael Tse, Hong Kong actor behind Laughing Gor, is a lesson in resilience

Michael Tse’s journey from backup dancer to Young and Dangerous henchman to leading film and TV actor showcases his endurance and tenacity.

Michael Tse at an interview with the SCMP in 2009. Tse’s remarkable entertainment journey has led him from backup dancer to the iconic Laughing Gor, viral memes and mainland China stardom. Photo: SCMP
Chinese language cinema

Review | Scare Out: Zhang Yimou tackles national security in subpar Chinese spy thriller

A story of a mole inside a state security team in China, Scare Out is slickly executed but narratively muddled, and far from Zhang’s best.

videocam
Jackson Yee as security operative Yan Di in a still from Scare Out (category IIB, Mandarin), directed by Zhang Yimou. Zhu Yilong and Song Jia co-star.
Chinese language cinema

Review | Double Happiness: Liu Kuan-ting, Jennifer Yu lead clever wedding comedy

A couple have two simultaneous wedding ceremonies to keep their parents apart in Double Happiness, an ingenious comedy of errors.

videocam
Asian cinema: Hong Kong film

How these 2 films became classics of Hong Kong’s Chinese folk opera cinema

Love Eterne and Dream of the Red Chamber are two very different ‘huangmei diao’ films from legendary Hong Kong director Li Han-hsiang.

videocam
Advertisement
Advertisement
Advertisement
Help preserve 120 years of quality journalism.
SUPPORT NOW
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement